legopaidi
Takes The Bug's London Zoo treatment to dubstep and grime and applies it to Favela Funk. Deconstructed Miami Bass rhythms to their barest minimum, a nightmarish urban soundscape with a host of superb MCs. A modern classic and AOTY candidate.
nymphloads
One of the greatest out of BH to ever do it. This album solidifies Anderson do Paraiso as one of the pioneers of the dark, minimal sound that Belo Horizonte funk has become renowned for
Favorite track: QUARENTENA CHEIO DE ODIO.
Anderson do Paraíso is one of the most influential and seminal DJs and producers behind the downtempo and dark baile funk sound of the city of Belo Horizonte. At 27 years old, the artist gained notoriety with songs that draw an unusual ghostly atmosphere full of suspense and mystery to the frantic whirl of the famous Brazilian beat.
Anderson started producing music in his bedroom in 2012, taking the Tamborzão funk from Rio de Janeiro as a reference. But his sound went through a profound transformation between 2015 and 2016 when he started attending Baile do Serrão, the street party in Aglomerado da Serra—the largest favela in Belo Horizonte and the second-largest group of favelas in Latin America.
When Anderson started going to Baile da Serra, the funk parties in Belo Horizonte were also experiencing a remaking in their geography and sound. The city has a funk scene whose history goes back to the 1980s. However, until the 2000s, the main bailes took place in closed spaces, on sports club courts, like Baile da Vilarinho. The music back then was closer to hip hop, with MCs singing verses about the hard times in the hood, violence, crime, hope, and faith in better days ahead.
However, in the mid-2010s, the bailes were popping up in the streets of favelas. And it was there that a completely new musicality emerged. The MCs focused on verses about sex, drugs, and having fun, while the beatmakers began to invest in more minimalist and ambient arrangements, with slow pace and full of reverb, highlighting beats with high frequencies, as heard in "Sadomasoquista" and "Duvida Não Letícia". This is the sound of Funk BH (or Funk Mineiro), a scene that has been influencing musicians on a national scale as Belo Horizonte DJs and MCs amass hits on streaming charts and go viral on TikTok.
Anderson do Paraíso— o "queridão", the "dearest," as he is also known— is one of the sound architects of this music. His signature is the contrast of electronic elements (such as the robotic sounds of "Todas Elas ao Mesmo Tempo" and the trap hi-hats in "Pincelada de Angolano") with classical music instruments, such as the piano in "Se Faz de Santinha," the violins in "Aula de Putaria," the soprano backing vocals in "Quarentena Cheia de Ódio" and the timpani used as snare in "Blogueira Que Virou Puta". "União dos Rlk" is a collab with two other producers, Ph da Serra and Vitin do PC, that showcases a intricate sound craft and a futurist vision of the genre in mixing different types of baile funk beats in a single track.
Brazilian funk became internationally known for its chaotic energy. However, Anderson's music has an unorthodox and innovative approach that strips down its elements for a radical minimal sound, underlining silence to build a cinematic suspense. "Blogueira Que Virou Puta" showcases the whispery voice of MC Paulin do G floating in a refined and sparse structure oscillating between sensuality and terror, while the haunted bells of "Chama as Sua Colegas' and the choir of "Ultimo Medo do Ano" conjures an haunted aura of baile funk. And yet people create different ways to dance to this sound, stretching the boundaries of the dancefloor.
credits
released March 1, 2024
Mastered by Declared Sound
Graphic Layout by Kid Gringo
Cover by Jonathan Uliel Saldhana
Nyege Nyege Tapes is a Kampala based label exploring, producing and releasing outsider music from around the region and
beyond.
We fulfill orders twice weekly, so most items will be shipped out within 3-5 days of your order being placed, with tracking provided automatically. We ship all records in whiplash mailers with extra cardboard protection.
Not much hip hop in my collection, but something about MC Yallah’s delivery speaks to me. This is extremely compelling music, and while I can’t understand the lyrics the power and aggression still come through loud and clear. Lute FP
Hard to pick a favourite from this album. Each track sounds unique, but they still manage to form a cohesive body of work. The dark and powerful productions perfectly compliment the vocals. Would love to see Ecko Bazz live, I bet the energy is unreal. Kutkh_Jackdaw
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